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Doubleplusgood Article
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In MS Paint With One Arm, While Furiously Masturbating, originally known simply as With One Arm, While Furiously Masturbating, is a popular postmodern interpretation, often applied to classical works. The scope of this style is not entirely limited to artwork, as well-known editions of Fyodor Dostoevsky's novel Crime and Punishment and Radiohead's sophomore album The Bends have been made in recent years.
The style was born nameless some time during the middle ages, when a German sect of Gregorian monks in self-imposed isolation would practice the arts while pleasuring themselves to pass the time. The tapestries and manuscripts they created during these time were of unique design bearing almost no resemblance to those created by more conservative sects that frowned upon frequent masturbation. Lacking the intricacies and detailed engravings of their contemporaries, the work of the Seed-Wasters instead focused on the passion and entropy that lay beneath the surface of the artwork. This was, however, considered to be faint praise for a style that exhibited little to no effort and, occasionally, gratuitous semen stains. (Full article...)
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Today's doubleplusgood picture
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One of the seven wonders of the pre-feminist movement, the Colossus of Barbie stands as a silent sentinel, ever-watching, over Toydom's "Valley of the Dolls."
In an ode to its majesty, Percy Bysshe Shelley declared:
- That all the world remains, to seem, unchanged,
- Her triumph o'er the rivers, wrath, and range,
- Of her immortal gaze, fixed cold with steel,
- I dare not but apease her wealth with meal.
- But, yet, Man has not seen her to the test;
- What's more, pity I couldn't bugger her like all the rest.
This is evidence that when the monument was built, people were of the belief that God was indeed a woman. Take that, Benedict XVI!
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