User:DaniPine3/Daft Punk

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Daft Punk
Biographical information
Homeworld

France

Date of foundation

The future

Date of dissolution

2021

Physical description
Species

Robot

Gender

Male

Hair color

None

Eye color

Metallic

Chronological and political information
Era(s)

1990s, 2000s, 2010s

  [Source]

Daft Punk is a popular French house band that comes from

Members[edit | edit source]

DP3.gif

Thomas Bangalter[edit | edit source]

Model B4NG-LT3R, producing music under his pseudonym Thomas Bangalter, and better known as the one with the grey helmet; is a super-robot capable of

Guy-Manuel de Homem-Christo[edit | edit source]

Artistry[edit | edit source]

Due to the fact that both of Daft Punk's members are robots that operate using artificial intelligence, none of them are actually able to create music, only having the capacity to reproduce songs by mimicking other people's music. As a result, all of Daft Punk's discography is entirely built upon stealing -or, as they prefer to call it "sampling"- other musicians' works, which they then chop and mix to produce new music. Despite this, no one has actually tried to sue them over copyright infringement; possibly because of the fact they're emotionless robots that could kill you in cold blood and feel no remorse afterwards.

One of Daft Punk's distinct trademarks when it comes to their musical style, is their repetitiveness. At least half of their discography is composed by a repetitive nusical baseline that is accomplemented by even a more repetitive chorus, which often repeats the same phrase over and over again, ad infinitum - or, at least, until the song stops to not produce the listener a hedache. Notable examples of these repetitive lyrics include:


In terms of themes, Daft Punk's songs often features themes about technology and robots (shocker), themes about love (most likely sex in a subtle way), or both. Thus, their songs are yet another example of Robot Sex in Popular Media.

History[edit | edit source]

1942–1992: Background[edit | edit source]

The two members of Daft Punk were constructed during the Nazi occupation of France in World War II. The French Nazis were conducting secret experiments inside a bunker in the outskirts of Paris, in an attempt to create the perfect human being; experiments that included the creation of robots with superhuman intelligence. Two prototypes were fabricated succesfully: these models were capable of processing high amounts of information in seconds, communicating and interacting with humans, and -to the surprise of many involved in the experiment- producing songs. Such was the success of this experiment, that these robots were perfectly capable of passing the Turing test.[1] Nonetheless, the führer deemed the experiment a complete failure, as the robots did not have the look of Aryan supermodels that he so desired, but more so the look of a tin can. As a result, the experiment was shut down, and the models were turned off, never to see the light of the outside world.

It wasn't until 1990 that the Nazi's experiments with robotics were discovered by two drug addicts that happened to be.

1993–1996: First performances and singles[edit | edit source]

2021–present: Disbandment[edit | edit source]

In 2021,

Critical reception[edit | edit source]

Daft Punk has been widely recognized as the world's second most famous band integrated by non-human members,[2] and has gained a spot in MTV's Top 100 Most Overrated Musicians of All Time. The band's cult following have made several critics to believe this is yet another exapmle of artificial intelligence taking over the human's world by making them

Discography[edit | edit source]

Homework[edit | edit source]

No.TitleLength
1."Daftendirekt"2:45
2."WDPK 83.7 FM"0:28
3."Revolution 909" (no relation with Revolution 9)5:26
4."Da Fuck"5:30
5."Phoenix"4:57
6."Fresh"4:03
7."Around the World"7:10
8."Rollin' & Scratchin'"7:28
9."Bitches"2:53
10."High Infidelity"6:03
11."Rock'n Roll"7:33
12."Oh No"2:03
13."Fartin'"6:53
14."Indo Silver Club"4:35
15."Dead"5:15
16."Funk Ad"0:51
Total length:73:53

Robbery[edit | edit source]

No.TitleLength
1."One More Dime"5:20
2."Aerodynamic"3:27
3."Digital Sex"4:58
4."Slimmer, Worse, Slower, Weaker"3:45
5."Crescendolls"3:31
6."Nightvision"1:44
7."Supervillians"3:57
8."High Life"3:22
9."Something About Me"3:51
10."Voyeur"3:47
11."Veridis Quo"5:44
12."Short Circuit"3:26
13."Fails to Fails"3:58
14."(This Song Is) Too (Damn) Long"10:00
Total length:60:50

We're Not Human after All[edit | edit source]

No.TitleLength
1."What the Title of the Album Says"9:15
2."The Prime Minister Of Your Life"3:24
3."Robot Cock"7:44
4."Steam Hams"2:25
5."Make War"8:44
6."The Dishwasher"8:04
7."On/Off"9:10
8."Television Rules The Nation"7:44
9."Tacologic"4:44
10."Emotionless"7:56

Random Access Humor[edit | edit source]

No.TitleLength
1."Give Life Back to Music"4:34
2."The Game of Love"5:22
3."Giorgio by Moroder"9:04
4."Deep in"3:48
5."Instant Crush" (featuring that guy from that "Happy" song)5:37
6."Lose Yourself to the Music, the Moment, you Never Let It Go, Go"5:53
7."Ouch"8:19
8."Get Cocky"6:09
9."Beyond"4:50
10."Motherfuckerboard"5:41
11."Fragments of Time"4:39
12."Doin' It Tight"4:11
13."Contact"6:23
Total length:74:28

See also[edit | edit source]

Notes[edit | edit source]

  1. Had the Turing test existed at that time, that is.
  2. the first being, of course, Kraftwerk